Daniels, Morna. “Little Red Riding-Hood.” The Aldine 6.12 (1873): 238-39. The British Library. The British
Library Board, 2006. Web. 13 Feb. 2015. URL? Is this from JSTOR? Another database?
Morna deconstructs and explains the various iterations and traits of the Little Red Cap tale, examining cultural details that contribute to the development of the story (such as the hat/cap that later transformed into a cloak) and peering at scans of physical copies of the story. This supports any notion that a fairy tale consists of many components that evolve over time.
Gardner, Martin. “Little Red Riding Hood.” Are Universes Thicker than Blackberries?: Discourses on Gödel,
Magic Hexagrams, Little Red Riding Hood, and Other Mathematical and Pseudoscientific Topics. New York: W.W. Norton, 2003. 177-87. Print.
In this portion of the book, Gardner also explores the saucier, controversial areas of the fairy tale, but in a rather tongue-in-cheek fashion. Though he explains the scenarios from the versions discussed, it is implied that they are unreliable, overly subjective, or ridiculous. Whether or not he is correct, it can be utilized as a warning when analyzing for hidden meanings, and looking too far.
Jacob and Wilhelm Grimm. “Little Red-Cap.” Project Gutenberg. Michael Hart, 5 Nov. 2012. Web. 11 Feb.
2015. URL?
A prime example of the enigma behind the mask in and that of itself; one of the reformed tales that set the standard for Little Red Riding Hood the world over demonstrates that underneath the mass of benevolent stories, there exists a darker strain. In addition, it is representative of the multidimensionality of fairy tales, for it is a compilation from many verbal sources.
Karpman, Stephen B., M.D. “Fairy Tales and Script Drama Analysis.” Transactional Analysis Bulletin 7.26
(1968): 39-43. KarpmanDramaTriangle. Stephen Karpman. Web. 14 Feb. 2015.
An interesting take on the fairy tale from a theatrical perspective, analyzing the ways at which a particular role can be interconnected with the others, each character sharing similar traits and representing a facet of a larger whole. It also provides a model of interchanging positions (Persecutor, Rescuer, Victim) and explains how the tale is made “dramatic” by the shifting of these positions.
Orenstein, Catherine. “The Punishment of Red Riding Hood: Fairy-Tale Fetish.” Little Red Riding Hood
Uncloaked: Sex, Morality, and the Evolution of a Fairy Tale. New York: Basic, 2002. 205-18. Print.
This chapter centralized upon the more modernistic and risqué adaptations of Little Red Riding Hood, in both film and dirty jokes. It analyzes the development of the tale, specifically the sexual aspects, from symbolic innuendos into sometimes blatant and “hardcore” pornography. This contributes to my thesis in two fashions: not only does it demonstrate that tales can possess dark secrets beyond their newer exteriors, but they are also fluid in that no iteration is the same and can hold multiple perspectives.
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